2027 Camp I - Instructors & Class Offerings

craig akin

Bass

Bio

Whether he’s playing upright or electric bass, on stage or in the studio, Craig Akin is comfortable and creative, and consistently delivers the goods. Born in Tulsa, OK to a musician mother, Craig was encouraged to take piano lessons before learning trumpet in the public school music program. In high school he picked up the guitar and soon began learning theory and harmony.

This obsession led Craig to pursue a degree in music education starting in Gunnison, CO. While at Western State College, he switched from guitar to electric bass and after two years transferred to the University of Kansas to play trumpet, electric bass, finish his degree, and begin what would change his life forever-the upright bass.

After 10 years cutting his teeth in Kansas City’s jazz & blues scene, followed by 17 years in NYC where he played blues, jazz, pop, rock, and bluegrass, he currently can be found playing and recording in Nashville, TN. Craig has performed over 5,000 shows, contributed to more than 100 albums and added a home recording studio to his artistic arsenal.

The summer of 2024 he was honored to teach at the Kansas City Bass Workshop, where 65 bass players gathered to further their skills on the instrument.

Beginner Bass - 2027 Class TBA

Level 1-2

Are you new to the upright bass or want to sharpen your skills?

In this class I will show you where the notes are in the common keys and how to get a good sound. I will give you tips for jamming and discuss the roll of the bass player in a group. You’ll learn basic hand technique and posture, and develop good habits to take with you.

But will we be playing in class? YES, absolutely. We will play along to recordings of easy popular songs often called in jam sessions. By the end of the week you will have a basic understanding of the instrument and have the skills to jam along with friends.

Intermediate Bass - 2027 Class TBA

Level 2-3

Do you already have experience with the bass and want to dive deeper?

Here we will get into different styles of bass playing including swing, blues, country, waltz, bluegrass, and Latin. I will show you how to get a good sound out of the bass and with good intonation. We will discuss hand technique, the concept of rhythm and playing with a metronome, plus basic theory and how it helps in a jam session. Speaking of jamming, I will show you basic tools for soloing so you’re ready next time they say “bass, go for it!”.

We will play along with recordings of the different styles mentioned above. By the end of the week you will have better intonation, technique awareness, and knowledge of different styles, soloing basics, and hopefully some good calluses!

John Corzine

Guitar, Jaming

Bio

John Corzine has been part of the southern California acoustic music scene for more than 40 years. Festivals and contests, Disneyland and dance floors, coffee houses and concert halls — John has performed throughout the southland, having gathered a collection of some of the best bluegrass, old-time, country and folk music you’ll find.  Influenced and inspired for life by meeting Doc Watson at age of 9 years old, John spent his early years in local flatpicking and clawhammer banjo contests and began performing bluegrass and old-time music professionally shortly thereafter.  John performed and toured with Philo/Flying Fish recording artists Jim Ringer and Mary McCaslin, and was featured on Mary’s A Life and Time album.

John has played in many area bands over the years, often with his wife Peggy Corzine on bass and vocals. John and Peggy currently perform with their youngest son Cody as the Corzines, and you can hear him this summer with the Coyote Brothers at the California Bluegrass Association’s Father’s Day Festival in Grass Valley, CA.

John comes to Camp for the first time this year to share his teaching and performing experience in the use of the guitar as a lead instrument, as the rhythmic foundation in a bluegrass and old-time band setting, and as the melodic and complementary background to vocal performance. (Last update 2021)

Human on the porch

A unique feature of Colorado Roots Music Camp, this position is dedicated to jamming with campers, playing along with their songs or teaching a new tune. Often, there are treats from the kitchen.

Ryan Drickey

Fiddle

Bio

Ryan Drickey is a lifelong student of musical styles. He immersed himself first in classical music, eventually earning a Masters degree in Violin from the University of Colorado at Boulder. There he studied jazz in addition to classical violin, which began his fascination with American musical traditions. He cut his teeth in the thriving bluegrass scene of the Colorado Front Range, winning the Rockygrass fiddle contest and playing at festivals across the country. He plays with the bluegrass/americana outfit FY5, and freelances in styles ranging from classical chamber music to old time American fiddle. Ryan is a Fulbright scholar, having spent a year in Sweden teaching American roots music through the Royal College of Music, Stockholm, while learning from Swedish folk masters such as Roger Tallroth, Ale Möller, and Ellika Frisell. (Last update 2025)

Old Time Fiddle - 2027 Class TBA

(All Levels)

Old Time style fiddling is a community music making experience where everyone plays together the whole time. No solos! No stress! It's all about getting a great rhythmic feel with the group while riding around the roller coaster of a tune. In this class I'll teach a tune by ear each day in a call and response style. We'll work on making the tune groove with a few traditional bowing patterns, and have a lot of fun playing together.

Bluegrass Fiddle - 2027 Class TBA

 (All Levels)

Bluegrass is performance-focused traditional music that showcases individual musicians in the band. The fiddler has a chance to step into the mic and show off a little. In this class we'll focus on constructing a fiddle break or kickoff based on the melody of the song. We'll work on making things sound stylistically appropriate and adding to our fiddle bag of tricks. We can also touch on playing fills behind the singer, and how to play well with others.

 

Dave Firestine

Mandolin, Jaming

Bio

Dave pulls out the “take no prisoners” style of playing at every dance – bringing the tunes to their full potential and beyond. He is a tune-meister and music jams are super fun when he is in the driver’s seat.

Originally a drummer, his strong sense of rhythm and syncopation is the foundation of his playing and tune writing, and truthfully he is never happier than when he gets to pull out the laptop drum kit to back swing and honky tonk tunes. Don’t worry, he can access his sensitive side when playing waltzes and beautiful melodies.

Dave is a music vagrant retiree now, but before that, he was Senior Gyzmologist building lightning detection systems. He is currently playing with the dance bands STEAM! (www.dancetosteam.com) and The Privy Tippers.

Mandolin FUNdamentals - 2027 Class TBA

(Level 1)

This course is designed for the beginning mandolin player. No experience required. However, if you are a more advance player and want to review some fundamental techniques, this is the perfect opportunity. We will begin with stretching, breathing, relaxing, and remembering to have fun! I will check your mandos for correct setup, strap setup, holding the mando and the pick. We will spend time playing with the proper pick direction, giving you the secrets to playing smoothly and at speed. We will learn some easy tunes, practicing the techniques described above. Join us for some fun, no shoes required.

Playing with Others - Learn to Jam - 2027 Class TBA

(All Levels) and Instruments

In this class, we will discuss and create the many ways that we can share music with humans and others. Bluegrass jams, Old Time jams, Irish sessions, Swing, and…who knows. The idea is to understand jams better so we can contribute to the fun. Bring instruments and we will create an environment this is welcoming and safe. Discover what your ability on your instrument, even if you are a beginner, can enable you to participate and contribute to the celebration of music. Let’s pick!

Abbie Gardner

Dobro

Bio

Best known as a founding member of Americana harmony trio Red Molly, Abbie Gardner is a joyful dobro player and singer/songwriter with an infectious smile. She loves teaching dobro and songwriting, whether in person or with her down-to-earth “Woodshed” YouTube lessons filmed from her home in the shadow of New York City. Abbie goes out of her way to make it fun and achievable, while seeking to forever expand her own knowledge.

Abbie has taught dobro at Nashville Dobro Camp, Grand Targhee, ResoSummit and Rockygrass Academy. She specializes in singing while playing, dobro as a rhythm instrument, treating musician’s injuries (as an Occupational Therapist) and creating lyrical solos in G tuning or D tuning. On the songwriting side, Abbie has taught at Swannanoa Gathering, Summer Songs, and New England Songwriter’s Retreat; as well as running her own Zoom writing classes seasonally since April 2020. She’s endlessly fascinated by music, so there are no dumb questions in her classes. (Last update 2023)

Beyond Beginning Guitar - 2027 Class TBA

(Level 1-2) 

This class is great for folks who can play some chords on guitar, but want to take the next step and get more out of their playing. We’ll focus on small changes and easy techniques that make a big impact. These will include: Hammer-ons, walking up to a chord, fingerpicking, playing in drop D, chord substitutions, changing keys easily, capo logic, getting rid of “spider” fingers, muting and exploring different grooves. Each skill will be repeated and practiced in class in the context of a song, so you’ll walk away with a solid “toolkit” by the end of the week!

Beginning & Beyond Dobro - 2027 Class TBA

(Level 1-2) 

Love the sound of the lap-style slide guitar but not sure where to start? This class will get you set up and playing by the end of the week! Folks who are beyond beginners are welcome too - we’ll gear the class to the level of participants. We’ll find our way around melodies and chords using the classic Dobro G-tuning. If you have a square neck resonator guitar, bring it! If you don’t, you’ll need to bring a regular guitar to temporarily “convert” to lap style playing. You’ll probably want to leave it set up this way all week, so bring an extra guitar for other classes & jams.

Equipment required: A “Nut raiser” and a solid metal slide bar. We’ll have a limited number of slides and nut raisers to borrow and/or purchase, but it’s even better if you can get them ahead of time! Links & options below.

BAR (good for anyone with arthritis): https://amzn.to/3TpoXqO

BAR: (basic, good company) https://amzn.to/3Td2LjO

BAR: (less expensive option) https://amzn.to/41dVFxi

NUT RAISER:  https://amzn.to/3NkBlVp

 

Emory Lester

Mandolin

Bio

Emory Lester has been a notable fixture in the acoustic mandolin world for the past four decades, and is an innovator of mandolin technique and a renowned creative artist, multi-instrumentalist, and instructor. His large body of recorded work has placed him among the elite mandolinist of our time. He has inspired and influenced many of our current generation’s mandolin players, and pointed the way with his clean, clear, fast and efficient mandolin technique.

Emory has performed across the U.S., Canada, Europe, U.K. and Czech Republic, with Clawgrass banjoist Mark Johnson, Wayne Taylor and Appaloosa, and his own Emory Lester Set, as well as a roster of famous notables such as Del McCoury, Tony Rice, Steve Martin (on The David Letterman Show), Babik Reinhardt (son of Django), and Jim Hurst, to name a few.

He has a long and impressive body of recordings including nine solo albums, all of which showcase Emory’s skills as a composer, arranger and creative multi-instrumentalist. A sought-after instructor of mandolin, banjo and guitar, he has a world-wide roster of online students and has taught at many prestigious music camps and workshops in the U.S., Canada, Europe and the U.K. for the past 25 years. (Last update 2024)

Mandolin 'Journeys' - 2027 Class TBA

(Level 3-4)

This intermediate mandolin level class will focus to help you improve on many areas of your playing, and will help with understanding goals and improving your experience in practicing, and playing with others at moderate tempos.     The class will work with popular tunes and known examples, and will focus on subjects such as becoming comfortable with chords and rhythms, optimized technique to build for success, managing 'tension' and 'energy' in yourself and in your playing, the ability to find melodies by ear, as well as the study of playing with others in a jam or small group setting, and will set a roadmap for future improvement, learning and enjoyment.    Handouts will be provided and recording for personal use is welcome.     

Mandolin 'Horizons' - 2027 Class TBA

(Level 4-5)

This advanced mandolin level class will touch on 'expanding' upon all you have learned, and focus on all areas of the mandolin as it relates to playing different styles of music.  We'll explore several styles of music, and the mandolin's role in each.  Subjects will include the study of 'time' and how to control and use it effectively, the study of song and melody 'presentation', advanced techniques and practice regimens, the study of 'improvising' and 'creativity', the art of 'listening' and 'reacting' in any situation or setting, and setting a roadmap for future improvement, learning and enjoyment.   We'll explore several styles of music, and the mandolin's role in each.  Handouts will be provided and recording for personal use is welcome.  Did I mention we will learn about playing 'fast' and 'faster'?

Joy Louise

Flatpick/Bluegrass Guitar

Bio

Award-winning multi-instrumentalist Joy Louise, whose guitar playing has been praised by critics as both “...heartfelt and technically immaculate,” enjoys an active career as a collaborative band member and soloist. She made her solo debut at the age of three, often singing in front of large audiences in the American Southwest. Joy is a prodigious songwriter and teacher, as well as a busy studio musician. Even as a teen, Joy Louise won many flatpicking guitar contests, often competing against seasoned players two or three times her age.

Joy performs with her own band “Joy Louise Band” and is in high demand as a session musician in Los Angeles. She is also an active member of Spectrum Bluegrass Band, which has opened for musical icons such as Stephen Stills and Neil Young. She recently made her national debut as part of a duo with GRAMMY-nominated fiddler and vocalist Laura Orshaw at IBMA. She’s toured as a guitar duo act alongside renowned guitarist and National Flatpicking Champion Tyler Grant.

An experienced instructor, Joy has taught at top national workshops and music camps across the country, including Augusta Heritage Bluegrass Week (Elkins, WV), Puget Sound Guitar Workshop (Seattle, WA), CBA’s Summer Camp (Grass Valley, CA), Idaho Bluegrass Camp (Weiser, ID), and Walker Creek Music Camp (Petaluma, CA), just to name a few. Joy is also the acting director of the Parkfield Bluegrass Festival’s Kids Music Program in California. With many years of private teaching experience, Joy is dedicated to sharing the art and emotional impact of traditional music with audiences and students of all ages around the world.


Class information for 2027 coming soon!

Lewis Mock

Guitar, Scruggs-style banjo

Bio

Lewis Mock is a multi-instrumentalist/vocalist who began performing professionally at eight years of age.

In 1990 he became the house guitarist at the Broadmoor International Hotel and Resort in Colorado Springs, where for almost twenty-seven years, he performed nightly. He has opened for many internationally known artists, and has performed with award-winning artists: Melissa Manchester, Maureen McGovern, Suzy Bogguss, and Debbie Boone,  and the John Denver Band.

He is a multiple award winning songwriter. He has performed on award-winning national television commercials and movie soundtracks.  His licks have been published in Guitar Player Magazine. For ten years he was a Professor at the Colorado Springs Conservatory teaching guitar and musicianship, and is a regular instructor at the Colorado Roots Music Camps.  He is a 2018 inductee into the Kansas Music Hall of Fame.

Lewis is currently recording, writing, and performing with the Colorado bluegrass powerhouse, the Red Mountain Boys. (Update 2024)

Bluegrass Guitar - 2027 Class TBA

(Level 2-3)

Powerful and exciting, from bass runs to big chords, bluesy licks to fiddle tunes, bluegrass guitar has its own unique sound and vocabulary.  We will be discussing all of these topics and building a foundation for taking your playing to the next level.  Bring your guitar, a fairly stiff flat-pick and an open mind, ready to take it all in!

Rock and Blues Styles for Acoustic Guitarists - 2027 Class TBA

(Level 3-4)

Many classic rock and blues sounds can be incorporated into your acoustic guitar playing to open up the instrument, such as using electric guitar licks and chords or piano sounds to spice up your arrangements.  Being able to add a cool solo or more interesting background for your singing can really widen your palette.  Most of the the rock and blues sounds are based around common chords that you already know!  I’ll show you some really cool stuff and we’ll make you a much better and more rounded guitar player!

Cindy Scott

Voice

Bio

Cindy Scott’s path has been, well, different. Raised in a family of musicians, her first instrument was flute, which earned her a scholarship to Louisiana State University. She went on to get an MBA and learned to speak German and Spanish along the way. During a study abroad program, she began singing in the jazz cellars of Germany with local musicians. Back in the US, she climbed the corporate ladder for a while, but in 2005, left a successful business career for a musician’s life in New Orleans, where she promptly lost all her household belongings to Hurricane Katrina. She decided to stick around and has since become firmly rooted in the rich music scene of the Crescent City.

Cindy maintains an active performance schedule in New Orleans and elsewhere. She has performed in cities all over the US and Europe and in more exotic locales like Mexico, Turkey, and Kazakhstan. Her recording “Let the Devil Take Tomorrow” won OffBeat Magazine’s Best Contemporary Jazz Album award for 2010, and All About Jazz said of her, “The Devil may take tomorrow, but … Cindy Scott clearly owns today.” She is currently working on her fourth album, which will reflect more of her singer-songwriter tendencies.

Cindy is also a respected voice instructor of many styles. She has taught contemporary voice at both the University of New Orleans and Loyola University, and as of 2016, Berklee College of Music.  She’s taught a myriad of professional vocalists, and was hired to coach Oscar-winning actor Octavia Spencer and actor-comedian Russell Brand.  One of her former students, Jon Cleary, just won a GRAMMY™ for his recording “GoGo Juice.”

…and Roots Camp founder Charlie Hall was proud to claim her as his cousin. (Last update 2018)

Finding Your Voice - 2027 Class TBA

This class will give you a much better understanding of the voice as its own instrument. You will learn how to develop more power and control throughout your range OVER TIME, but there are likely to be some instant improvements, too. We’ll explore how the voice actually works and how to develop range, flexibility, and power safely. Common concerns such as vocal strain, singing through your “break,” and other challenges singers face will be addressed in a supportive, practical way. All levels welcome. No class limit.

Ear Training for Singing - 2027 Class TBA

Through fun, interactive group activities, students develop strong listening skills by singing intervals using numbers and solfege. Games and hands-on exercises reinforce interval recognition, hearing root motions, and part independence. We emphasize practical applications for singers—such as learning new songs and finding parts—while building skills that easily transfer to other instruments. This welcoming, participatory class is open to everyone, so come sing with us! No class limit.

 

Cosy Sheridan

Guitar, Songwriting

Bio

Cosy Sheridan first appeared on the national folk scene in 1992 when she won the songwriting contests at The Kerrville Folk Festival and The Telluride Bluegrass Festival. The Boston Globe dubbed her “one of the best new singer-songwriters in the United States.”

She is a veteran touring performer of the folk coffeehouses from Boston to Seattle, as well as The Cowgirl Hall of Fame, Carnegie Hall and on the Jerry Lewis Telethon. “You can’t make it into double digits, and continue touring for twenty or so years, unless you know what you’re doing, and do it well,” wrote The Chicago Examiner.

Her 2021 CD A Beautiful Sound charted in the Top 10 on the folk radio charts, as did her 2018 release My Fence & My Neighbor. Her CD Pretty Bird was listed among Sing Out Magazine’s Great CDs of 2014.

When the pandemic hit she came off the road and now reaches her audience through her weekly Tuesday morning livestream concerts. She plays a percussive guitar style backed backed up by bass player Charlie Koch.

Cosy teaches classes in songwriting, performance and guitar at workshops and adult music camps across the country. She is the director of Moab Folk Camp in Moab, Utah.

Songwriting - 2027 Class TBA

(All Levels)

Join me in a week of creative discovery as we look at the art and the craft of songwriting. The art is our emotions, memories and intuition. The craft is the skills we can learn - the tools in the toolbox. How do we find the story and then how do we turn the story into a lyric; where do we go to find a chord progression; how do we build our melody? In this class we will begin the week looking within to find the kernel of our song, and then we will look out at the songs of other songwriters - skilled technicians - and see what we can learn from their songs. Bring your instrument, something to write with, and a way to record your song-in-process (an iPhone works just fine). All levels welcome!

 

Beautiful Songs By Singer Songwriters - 2027 Class TBA

(Level 2-3)

We can build our guitar skills while learning some beautiful  songs by some of my favorite singer-songwriters.  We will learn some  skills for  both the right and the left hand: bass runs, picking patterns and some simple riffs.  Songs to sing when you’re alone in your room, or at the next song circle. We learn both right hand and left hand with each song.

Charlie Koch

Songs To Make You Love Chords (Level 2-3)

In this class we will play songs that I hope will seduce you into learning some  chords that until now may have been a mystery to you. We will  look at  voice motion within a chord and how it adds harmonic interest to a simple  progression.  We will learn different ways to move from one chord to another using bass runs and chord inversions. If you know how to play major chords, minor chords, and dominant seven chords, and some bar chords, then this class is for you!